Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

Monday, February 7, 2011

CHARTAttack Review of The Very Best of...

Guilty About Girls — The Very Best Of

Music Review
Guilty About Girls' The Very Best Of
Jordy Birch's nine lives continue with the emergence of Guilty About Girls, his latest musical project. Birch broke out in the '90s with Vancouver outfit Pure, who had some moderate success with singles like "Anna Is A Speed Freak" and "Chocolate Bar." But the singer is probably best known post-millennially for his solo single "Moola Moola" and its tongue-in-cheek video which stormed up the MuchMusic charts back in 2002.

Nine years later, Birch and co-conspirator Mark Henning have scored yet another hit with GAB's first single "Candy Candy," a catchy pop-rock number which sounds little like any of Birch's previous work. Instead, all seven tracks on the duo's debut owe a debt to '80s synth-rock bands like New Order, whose slinky guitar lines are liberally cribbed on tracks like "Easy Satisfaction."

But Guilty About Girls' more obvious influences don't get in the way of what is really a collection of fantastically catchy tunes. Birch has once again proven he's one of the best and most underrated pop songwriters around.
Get it from The Very Best of... - Guilty About Girls


Wednesday, January 28, 2009

Sex With Strangers review in Exclaim!


Wednesday Jan 28th-2009:

Canada's Exclaim! magazine has just reviewed Sex With Strangers The Modern Seduction album: proud to say it seems a very favourable article!

It reads:

RECENTLY REVIEWED

Sex With Strangers
The Modern Seduction
by Romina Wendell

A full-length follow-up to their debut EP, A Future Tragedy, The Modern Seduction is another dose of Sex With Strangers' raw new wave sound. Their effects-soaked kick drums and vocals further their tale of a dystopian future where partiers are forced underground by a totalitarian regime. Lead vocalist and keyboardist Hatch Benedict and bassist Magus Magnum are joined by guitarist Cory Price and vocalist Isabelle Dunlop, and the anthemic push of most of their tracks and Benedict's punk-edged delivery set the mark for a vigorous live show. Impressively, their lyric-less electronica numbers, such as "The Turning Point," offer the same rhythmic push as the group's thrashier rock outs, illuminating a wider breadth of potential beyond the robot rock niche the group have currently carved out for themselves. (Boutique Empire)